Tag Archives: Historical Fiction

The Other Angel – Blitz

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Historical Fiction
Published: February 2019
Publisher: Austin Macauley Publishers
 
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The Other Angel is a dramatic, startling tale of how four young people from diverse backgrounds, each with their own aspirations and values, become unlikely though firm friends. It is an absorbing story that will attract readers as they get to know the characters, whose disparate lives intertwine before the Civil War splits them up. The Gettysburg battle aftermath brings them back together. It is an exciting story filled with breathtaking scenarios of plots, war and espionage, as well as romance and pathos. The story will resonate with readers as it unfolds to an emotion-charged conclusion that will invoke their empathy.
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About the Author

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Ann Covell is a British citizen and lives in England’s glorious south-west. Ann had a long career with the British health service research section, and also served as a Justice of the Peace in England.  Her interests include history, writing and politics. She is the author of “Remembering the Ladies” (a book of unique essays on the 19th century U.S. First Ladies,) and “First Lady, Jane Pierce,” who was the 14th U,S, First Lady”.
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The Impaler’s Wife – Book Tour

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Part of a Fearless Women in History series
Historical fiction, Historical Romance, Gothic Romance
Published Date: April 3, 2019
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The year is 1464 and young King Matthias controls Hungary, his family, and the fate of the world’s most notorious political prisoner, Prince Vlad Dracula. 
 Ilona Szilágy, the king’s cousin, is young and ambitious. Dracula is determined to marry into the Hunyadi family. It is love at first sight…but the king has other plans. The Impaler Prince, however, never takes no for an answer.
This begins Ilona’s journey into the treacherous world of court intrigues, family betrayals, and her husband’s dark desires. Eager to become Vlad’s trusted confidant, Ilona soon discovers that marriage to man tortured by his past comes with a price.
Woven throughout is a peek into the life and times of one of the world’s most enigmatic and maligned rulers…the man before the legend.
With Bardot’s decadent period detail and a cast of gritty evocative characters, The Impaler’s Wife offers a fierce yet sensuous glimpse into the violent 15th century.

 

Excerpt

Prince Vlad rests his hand on the small of my back. “Come, Lady Ilona, look at the faces of anarchy and villainy, and see how much they resemble your friends and family.”

“I will not.” I back away from the entrance where moans rise from the bowels of the labyrinth like a demon’s song.

“The choice is yours, of course.” His tone is low and gentle, but in the lamplight his stare is wolf like.

I shift from foot to foot, look away, only to glance back. Does he hear my heart knocking against my breast?  Can he smell my fear as it beads wet on my neck? Do I want to rise to this challenge? Or am I a fool for allowing him to bait me?

My fingers tighten around the lamp’s clay handle. “I will humor you, my lord, but only because Father taught me courage and graciousness.”

“Mihály taught you well.” He holds out his hand. “My lady.”

The lamp divides the darkness like a saber, each foot forward lighting our descent into hell. Ghostly groans from below seep through the rock. I sink into Vlad’s fur-lined coat as though their suffering will soak into my soul.

Vlad pauses before descending the narrow rock steps leading into the labyrinth’s deepest level. “Are you certain?” His eyes glint with challenge. “A weak constitution is nothing to be ashamed of.”

I lift my chin and glare with pretended insult. “I am the daughter of Michael Szilágyi and Margit Báthory. Iron courage flows in my blood.” I push back my cuff and show him the blue-forked veins in my wrist. “I am as brave as Hadak Ura, our ancient pagan warlord.”

“I believe you, my lady. I will not doubt again.”

The clanking chains and eerie moans get louder with each step down, the noises merging into a demonic choir like that of Ördög’s requiem to the Underworld. My legs shake, my neck wet with icy prickles, and my skin tightens around my chest.

I lift the lamp into hell.

The circle of light shines upon a pockmarked man stretching his arm between the bars, his fingers curled like claws. “Bless me, good sister.”

In the cell next to him, a naked wretch spits onto the ground. “Menj a fenébe!”

“I am innocent!” A third prisoner grabs the bars and presses his wild-bearded face against the iron. “Tell His Highness there is a Turkish spy in his court. He is in danger! You must warn him!”

My head swivels toward Prince Vlad.

“There are always spies,” Vlad whispers.

I walk with measured pace and let the lantern reveal each doomed prisoner. Most stare, empty-eyed; the whips, chains, skin shredders, bone crushers, and strappado take away all hope and spirit. Others shout obscenities. One man kneels, hands in prayer, and mutters the Hail Mary.

The weight of their misery crashes down, squeezes my heart, and crushes my breath. This place must be worse than hell’s torments because these wretches yet live, have all their faculties! No one deserves this! It is inhumane! Sadistic and depraved!

My breath comes in shreds and clumps. I cover my nose with Prince Vlad’s cape, the stench of rotting flesh enfolding me in its putrid embrace. My pace quickens. It is time to end this test of my courage.

“You!” A milky-eyed wretch points to Prince Vlad and begins chanting in a foreign tongue.

Prince Vlad guides me away from the cells. “You have thrice over proven your courage tonight.”

“What language was that man speaking?”

“He recites from the Corpus Hermeticum.” Dracula takes the lantern and illuminates the stairwell. “It’s a pagan book of alchemy, astronomy, and metaphysics.”

“It sounded like he cursed us.”

“Pay no attention to a madman’s rants. That particular book is nothing but Egyptian and Greek nonsense.”

I tread upwards, evil’s chill clinging to my limbs. At the top, I try to purge the dungeon’s misery, malice, and madness with a long exhalation. Yet the horror sticks like nettles in my soul.

“This way.” I move past the dark tunnel and enter the lighted one, relieved to put space and distance between the prisoners and me.

The tunnel ends at a large grotto where Prince Vlad pauses to light the ring of torches affixed to the walls. I wait on a stone bench near the baptismal fount, sighing with relief as the golden glow of the church-like arches infuses peace into my troubled soul.

Prince Vlad sits beside me. “We go from hell to heaven.”

I tuck a stray lock behind my ear. “This was Father’s favorite grotto. God’s Buried Cathedral, he called it. His second favorite has a Titan-sized head emerging from the ground—like a god got stuck in molten rock. I was only in that grotto once. It reminded me of an insect trapped in tree sap that ages to amber—the insect forever entombed—never aging, almost alive in its resin grave.”

“Do you find that horrific or beautiful?” His eyes search mine.

“Both I suppose.” My shoulders move into my sigh. “Caves are dreary places.”

“I rather enjoy them. Tunnels have saved my life several times.” Dracula stands. “I think we are both ready for fresh air.” He offers his hand, its warmth a familiar comfort.

Together we walk through the tunnel lit by small lanterns that flicker like fireflies all the way to the exit.

Prince Vlad gives the stubborn iron-crossed door a hard yank and it groans open. Outside, a sapphire dawn drapes over Buda.

“On no.” My hands fly to my face. “It’s so late it’s early.” Were we in the tunnels that long? If my aunts discover I never returned to my room…I spin about, my voice edged with panic. “I have to go back. Now.”

Vlad’s brows crease with concern. He tugs a handkerchief from his robe and touches it to my lips as though dabbing at a smudge. “There’s something I must do first.” He lays the linen over my lips and sets his mouth on mine.

Even through the thin fabric, his lips sear my own. I part my lips, feel the linen moisten with the breath of our lust. I collapse into him, my body sizzling with desire. I am about to rip away the fabric and taste his lips when he breaks the kiss.

Vlad Dracula steps back, the handkerchief between thumb and forefinger. “If you marry Luigi della Scala you will still be chaste.” He drags the handkerchief across his mouth. “I will always have this.”

Chaste? Prince Vlad just violated my heart and corrupted my flesh!

Back in my chambers, I touch my lips that still burn with the memory of our kiss—my first kiss—and groan. Vlad Dracula used my virtue, conceit, and fears to study the labyrinth’s secrets. He took advantage of my desire for romantic adventure to learn the escape route.

About the Author

 

Autumn Bardot writes smart erotica and historical fiction about sassy women, spicy sex, and daring passions!
 Her erotica includes Legends of Lust, ( Cleis Press )and Confessions Of A Sheba Queen ( Cleis Jan 2020).  Autumn has a BA in English literature and a MaEd in curriculum and instruction. She’s been teaching writing and literary analysis for fourteen years. Autumn lives in Southern California with her hubby, rescue pooch, and ever-increasing family.  Her favorite things include salty French fries, coffee, swimming, and a great book.
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The Impaler’s Wife – Release Blitz

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Part of a Fearless Women in History series
Historical fiction, Historical Romance, Gothic Romance
Published Date: April 3, 2019
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The year is 1464 and young King Matthias controls Hungary, his family, and the fate of the world’s most notorious political prisoner, Prince Vlad Dracula. 
 Ilona Szilágy, the king’s cousin, is young and ambitious. Dracula is determined to marry into the Hunyadi family. It is love at first sight…but the king has other plans. The Impaler Prince, however, never takes no for an answer.
This begins Ilona’s journey into the treacherous world of court intrigues, family betrayals, and her husband’s dark desires. Eager to become Vlad’s trusted confidant, Ilona soon discovers that marriage to man tortured by his past comes with a price.
Woven throughout is a peek into the life and times of one of the world’s most enigmatic and maligned rulers…the man before the legend.
With Bardot’s decadent period detail and a cast of gritty evocative characters, The Impaler’s Wife offers a fierce yet sensuous glimpse into the violent 15th century.

 

Excerpt

 

Once again, his gaze ensnares me. I cannot look away, his eyes wolf-like with intensity. The green depths convey lust, determination, but also a hidden sorrow. My heart clenches. I want to touch his face, comfort him, understand his grief. And yet I do not move, can barely draw breath. I am captured heart, mind, and soul.
“This is boring. Shall we dance?” Margit offers her arm.
Dracula is slow to loop Margit’s arm through his. But perhaps his seeming reluctance is my own wishful thinking.
As they stroll toward the dance floor, I stand rooted to the ground, controlled breaths doing little to cool my heated annoyance at Margit. Never before have I felt a connection to a man. Never before did a man look at me with such desire. Never before have Margit and I been competitors. It is a rivalry I have no practice at.
With Margit clutching his arm, Prince Vlad stops and makes a slow pivot. “Lady Ilona, will you join us?”
“Happily.”
Though he waits in the shadows beyond the fire basket’s radiance, I feel our connection, like a quivering string or a taut ribbon. I move forward, reeled in by a man with a dark past.
After dancing with Margit, Prince Vlad asks me to take a turn about the floor. We clap in sync with the other dancers and I circle around him, our eyes locked on one another. He makes me feel like I am the only one in the room. I blush and grin, my cheeks fevered under his gaze. Though I know every step of this dance I am unprepared for what happens next.
Prince Vlad takes my hand, his strong warm fingers enclosing mine. The jolt races up my arm and bursts like a dam through my body. My skin is washed with a sparkling sensation, skin and limbs stirred with the thrill of his touch. The next step brings us too close—kissing close—and I smell his scent. Rosemary, leather, forest, and man. Surely, he hears my heart knocking against my bodice. Prince Vlad inhales deeply and bends his head into my neck. I gasp with desire, want to feel the graze of his cheek or tickle of his moustache against my skin.
Instead he shifts about, his brazen move but a momentary disruption in the dance steps.
“Is that how they dance in Wallachia?” I ask when we next clasp hands.
“That is how I dance with a beautiful woman.” His fingers warm around mine.
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About the Author

Autumn Bardot writes smart erotica and historical fiction about sassy women, spicy sex, and daring passions!
 Her erotica includes Legends of Lust, ( Cleis Press )and Confessions Of A Sheba Queen ( Cleis Jan 2020).  Autumn has a BA in English literature and a MaEd in curriculum and instruction. She’s been teaching writing and literary analysis for fourteen years. Autumn lives in Southern California with her hubby, rescue pooch, and ever-increasing family.  Her favorite things include salty French fries, coffee, swimming, and a great book.
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Purchase Links
 
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Jugend – Blitz

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Historical Fiction
Release Date: March 31, 2019
Publisher: Unsugarcoated Media
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In 1933, after Hitler’s rise to power, the paramilitary HitlerJugend, or Hitler Youth, became the only permitted youth organization in Germany, then known as The Third Reich.
It’s 1937 now, and a fourteen-year-old German youth, Ernst, is part of a secret mission which will send a group of teen-aged boys to London under the pretense of a bicycle tour to spy for the Nazis. The cyclists’ objective: identify both geographical and human targets for subsequent elimination as Europe approaches a flashpoint that Hitler intends to exploit by waging all-out war.  Ernst’s mentor, Officer Müller, considers him the perfect fit for a special assignment—spy on a wealthy British Jewish family considered a threat to the Reich as they shelter Jewish refugees from Nazi oppression.
In a parallel story, a modern-day American teen-aged orphan, Clark, has fallen under the spell of white supremacy ideology after a series of family misfortunes.  Having lost his mother as a child to cancer and then his father a couple of years later to war in Iraq, he is in the hands of his unscrupulous guardian who manages to plant him as a child-agent in a Muslim household.  Clark’s purpose: prove that the randomly-chosen Muslim family must be terrorists.
Each youth approaches his assignment with a masked heart filled with hate and a deep misunderstanding of who his hosts are, roiling the boys in emotional conflict as events unfold, and forcing each to face what will be the hardest decision of his entire life—help destroy what his handlers fear or find the courage to think for himself and face the consequences.
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Excerpt
Foreword
By Ben Parris
    In the 1930’s, the world was sinking into an abyss of bigotry and imperialism, each flawed concept nudging the other to the brink of global conflict. Eventually, virtually every country in a world awash in propaganda would be drawn into the coda of the Great War that could come to be known as World War II.
    Jugend’s story is wrapped in a little-known, fascinating true story of Hitler Youth trained to spy on England and Scotland in advance of the war the Nazis intended to start, roaming the countryside on bicycles to identify both geographical and human targets for destruction and assassination.  In Jugend, a Jewish family becomes the focus of a shameless mission to plant a boy in a household to work an agenda that is far from clear to him.
    In an eerily parallel story, Jugend also explores modern-day white supremacists in the United States who plant their own child-agent in a Muslim household. Here there is no multi-country alliance and state machinery to support a full-scale assault on decency, but the victims are targeted and the danger is real nonetheless.
    It’s the story of children caught up in an age-old conflict and used as next-generation guided missiles to perpetuate the agenda of hate.  It’s about how far we’ve come and where we need to be.  It’s about two individual children out of many who are forced to face moral choices to carry out missions of hate or to break their brainwashing through first-hand observation of those they were expected to revile.
    As a writer of historical fiction, I am always impressed when the flavor and details of an age are captured in both mood and accuracy; as an educator, I would like to see this particular insightful work in our public schools. With first-class, cinematic workmanship, Jugend provides a magnificent depiction of a course of events in a narrative that never flags or falters.
    This work, however, not only provides a tale of literary worth, but also occupies a higher plane of value by tackling the most complex aspects of the enduring human condition with both clarity and dignity.
    Here we find the ugliness and beauty of human nature, and the power and variability of culture to harm or heal. Jugend does not try to address all issues of racism and prejudice, and it shouldn’t.
    The story is a straightforward one that goes to the core of human understanding where light, tragedy and redemption can be found. 

About the Author
AALIA LANIUS, a California native and convert to Islam in 1999, hails from a multi-cultural background, both German and Mediterranean, giving her first-hand knowledge of the topics addressed in her public speaking and creative works.  Her debut novel, Tough Love, a biographical fiction novel, has sold in countries around the world.  Visit the author online at www.UnsugarcoatedMedia.com.  Stay connected on Instagram: @aalia_unsugarcoated
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Native Companions – Blitz

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World Literature, Historical Fiction
Date Published: August 2018
Publisher: Xlibris
 
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The prologue is a death-bed scene, where Rex Graham and his parents say goodbye to his beloved, Aboriginal grandmother. The young man promises to fulfill Granelda Yaraan’s dying wish to complete his doctorate degree in anthropology. While on study location in the Central Australian desert, Rex discovers a small Aboriginal artefact lying in a dry creek-bed bearing the markings of his tribal totem, whose territory is located in the south-easterly region of the continent.
On his return home, he lays awake, tormented by a vision of Gran’s face, urging him to discover the lost tribal dreamtime legends. He is planning a walkabout to the neighbouring bushland at Yaraan Grove, where an ancient, sacred tree is located, the resting place of his grandmother’s ashes.
Keen to discover some ground-breaking information for his thesis, Rex suddenly remembers a collection of old paintings that his Gran had treasured, promising to preserve them for him, until he was able to interpret their true meanings.
Rex crept down to the library safe, carefully unwrapping the very old parchments and spreading them out on the floor. There were 24 in all, a couple of mythical characters: a bunyip and a birdman known as a keeng-keeng, a hand-sketched map, and a mountain journey. The artist was Gran’s great-grandfather, yet he could obviously read and write because he had labeled some of his works in English grammar.
After carefully re-packing the collection, Rex returned it to the safe and slept soundly till day-break, when he loaded his back-pack and waved to his folk before departing on his journey of discovery. Rex spent the day exploring the magnificent lakeside National Park, but by evening, he was disappointed that he had not uncovered any clues about his ancestors, who had occupied the territory, other than the old scar-tree where his grandmothers remains rest, where a carving of the Booran totem ear-marked a large rock. Rex envisages Gran’s face in the scar on the tree-trunk, caused by Aboriginal boat-crafting. Feeling intoxicated by the bush atmosphere, he spreads his swag and reclines under ‘Gran Yan’s’ canopy.
As Rex falls asleep, the bush comes to life and Gran Yan shares stories with the young trees about the adventures and Dreamtime legends of the Booran tribe, that she learned from ancient priests who shared the mythology at corroborees.
The book is separated into six parts, each containing a glossary of characters involved in the odysseys. The preface contains an overview of Australian indigenous society, their philosophy of living, cultural traditions spiritualism, and language.
An index of tribal connection, names and a glossary of mixed Aboriginal languages and meanings are included at the end of the book, including a bibliography.
24 hand-drawn illustrations created by myself, are peppered throughout the book to keep the reader visually connected to events and characters as they transpire.
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About the Author

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I grew up in South Australia where I received an excellent education before training as a nurse. After a fulfilling nursing career, I spent several years working in the Flinders Ranges at Wilpena Pound where I learned a wealth of knowledge about Aboriginal history in the district. After marrying a farmer, I was kept busy raising four children before returning to my nursing career. It was at that point that I decided that too many people are over medicated with prescription drugs, and the pharmaceutical industry is over embodied in the medical discipline that is supposed to ‘do no harm’.
I undertook studies in traditional medicine and graduated with a degree in Naturopathy and herbal medicine, and went on to study Traditional Chinese Medicine practices including acupuncture, with which I am still a practicing therapist. Having written this story some years previously I was given approval by an indigenous friend to publish the story while living on Bribie Island, where I did most of my research.
After rewriting the story, I first published a junior version in 2017, but revised and rewrote the book, releasing it as junior to adult fiction book in 2018. I have also written a sequel, that was released concurrently, and the third book in the Dreamtime mysteries trilogy, Return to Eternity is almost completed.
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