Tag Archives: Historical Fiction
The Other Angel – Blitz
Historical Fiction
Published: February 2019
Publisher: Austin Macauley Publishers
The Other Angel is a dramatic, startling tale of how four young people from diverse backgrounds, each with their own aspirations and values, become unlikely though firm friends. It is an absorbing story that will attract readers as they get to know the characters, whose disparate lives intertwine before the Civil War splits them up. The Gettysburg battle aftermath brings them back together. It is an exciting story filled with breathtaking scenarios of plots, war and espionage, as well as romance and pathos. The story will resonate with readers as it unfolds to an emotion-charged conclusion that will invoke their empathy.
About the Author
Ann Covell is a British citizen and lives in England’s glorious south-west. Ann had a long career with the British health service research section, and also served as a Justice of the Peace in England. Her interests include history, writing and politics. She is the author of “Remembering the Ladies” (a book of unique essays on the 19th century U.S. First Ladies,) and “First Lady, Jane Pierce,” who was the 14th U,S, First Lady”.
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Jugend – Blitz
In 1933, after Hitler’s rise to power, the paramilitary HitlerJugend, or Hitler Youth, became the only permitted youth organization in Germany, then known as The Third Reich.
It’s 1937 now, and a fourteen-year-old German youth, Ernst, is part of a secret mission which will send a group of teen-aged boys to London under the pretense of a bicycle tour to spy for the Nazis. The cyclists’ objective: identify both geographical and human targets for subsequent elimination as Europe approaches a flashpoint that Hitler intends to exploit by waging all-out war. Ernst’s mentor, Officer Müller, considers him the perfect fit for a special assignment—spy on a wealthy British Jewish family considered a threat to the Reich as they shelter Jewish refugees from Nazi oppression.
In a parallel story, a modern-day American teen-aged orphan, Clark, has fallen under the spell of white supremacy ideology after a series of family misfortunes. Having lost his mother as a child to cancer and then his father a couple of years later to war in Iraq, he is in the hands of his unscrupulous guardian who manages to plant him as a child-agent in a Muslim household. Clark’s purpose: prove that the randomly-chosen Muslim family must be terrorists.
Each youth approaches his assignment with a masked heart filled with hate and a deep misunderstanding of who his hosts are, roiling the boys in emotional conflict as events unfold, and forcing each to face what will be the hardest decision of his entire life—help destroy what his handlers fear or find the courage to think for himself and face the consequences.
Excerpt
Foreword
By Ben Parris
In the 1930’s, the world was sinking into an abyss of bigotry and imperialism, each flawed concept nudging the other to the brink of global conflict. Eventually, virtually every country in a world awash in propaganda would be drawn into the coda of the Great War that could come to be known as World War II.
Jugend’s story is wrapped in a little-known, fascinating true story of Hitler Youth trained to spy on England and Scotland in advance of the war the Nazis intended to start, roaming the countryside on bicycles to identify both geographical and human targets for destruction and assassination. In Jugend, a Jewish family becomes the focus of a shameless mission to plant a boy in a household to work an agenda that is far from clear to him.
In an eerily parallel story, Jugend also explores modern-day white supremacists in the United States who plant their own child-agent in a Muslim household. Here there is no multi-country alliance and state machinery to support a full-scale assault on decency, but the victims are targeted and the danger is real nonetheless.
It’s the story of children caught up in an age-old conflict and used as next-generation guided missiles to perpetuate the agenda of hate. It’s about how far we’ve come and where we need to be. It’s about two individual children out of many who are forced to face moral choices to carry out missions of hate or to break their brainwashing through first-hand observation of those they were expected to revile.
As a writer of historical fiction, I am always impressed when the flavor and details of an age are captured in both mood and accuracy; as an educator, I would like to see this particular insightful work in our public schools. With first-class, cinematic workmanship, Jugend provides a magnificent depiction of a course of events in a narrative that never flags or falters.
This work, however, not only provides a tale of literary worth, but also occupies a higher plane of value by tackling the most complex aspects of the enduring human condition with both clarity and dignity.
Here we find the ugliness and beauty of human nature, and the power and variability of culture to harm or heal. Jugend does not try to address all issues of racism and prejudice, and it shouldn’t.
The story is a straightforward one that goes to the core of human understanding where light, tragedy and redemption can be found.
About the Author
AALIA LANIUS, a California native and convert to Islam in 1999, hails from a multi-cultural background, both German and Mediterranean, giving her first-hand knowledge of the topics addressed in her public speaking and creative works. Her debut novel, Tough Love, a biographical fiction novel, has sold in countries around the world. Visit the author online at www.UnsugarcoatedMedia.com. Stay connected on Instagram: @aalia_unsugarcoated
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Native Companions – Blitz
World Literature, Historical Fiction
Date Published: August 2018
Publisher: Xlibris
The prologue is a death-bed scene, where Rex Graham and his parents say goodbye to his beloved, Aboriginal grandmother. The young man promises to fulfill Granelda Yaraan’s dying wish to complete his doctorate degree in anthropology. While on study location in the Central Australian desert, Rex discovers a small Aboriginal artefact lying in a dry creek-bed bearing the markings of his tribal totem, whose territory is located in the south-easterly region of the continent.
On his return home, he lays awake, tormented by a vision of Gran’s face, urging him to discover the lost tribal dreamtime legends. He is planning a walkabout to the neighbouring bushland at Yaraan Grove, where an ancient, sacred tree is located, the resting place of his grandmother’s ashes.
Keen to discover some ground-breaking information for his thesis, Rex suddenly remembers a collection of old paintings that his Gran had treasured, promising to preserve them for him, until he was able to interpret their true meanings.
Rex crept down to the library safe, carefully unwrapping the very old parchments and spreading them out on the floor. There were 24 in all, a couple of mythical characters: a bunyip and a birdman known as a keeng-keeng, a hand-sketched map, and a mountain journey. The artist was Gran’s great-grandfather, yet he could obviously read and write because he had labeled some of his works in English grammar.
After carefully re-packing the collection, Rex returned it to the safe and slept soundly till day-break, when he loaded his back-pack and waved to his folk before departing on his journey of discovery. Rex spent the day exploring the magnificent lakeside National Park, but by evening, he was disappointed that he had not uncovered any clues about his ancestors, who had occupied the territory, other than the old scar-tree where his grandmothers remains rest, where a carving of the Booran totem ear-marked a large rock. Rex envisages Gran’s face in the scar on the tree-trunk, caused by Aboriginal boat-crafting. Feeling intoxicated by the bush atmosphere, he spreads his swag and reclines under ‘Gran Yan’s’ canopy.
As Rex falls asleep, the bush comes to life and Gran Yan shares stories with the young trees about the adventures and Dreamtime legends of the Booran tribe, that she learned from ancient priests who shared the mythology at corroborees.
The book is separated into six parts, each containing a glossary of characters involved in the odysseys. The preface contains an overview of Australian indigenous society, their philosophy of living, cultural traditions spiritualism, and language.
An index of tribal connection, names and a glossary of mixed Aboriginal languages and meanings are included at the end of the book, including a bibliography.
24 hand-drawn illustrations created by myself, are peppered throughout the book to keep the reader visually connected to events and characters as they transpire.
About the Author
I grew up in South Australia where I received an excellent education before training as a nurse. After a fulfilling nursing career, I spent several years working in the Flinders Ranges at Wilpena Pound where I learned a wealth of knowledge about Aboriginal history in the district. After marrying a farmer, I was kept busy raising four children before returning to my nursing career. It was at that point that I decided that too many people are over medicated with prescription drugs, and the pharmaceutical industry is over embodied in the medical discipline that is supposed to ‘do no harm’.
I undertook studies in traditional medicine and graduated with a degree in Naturopathy and herbal medicine, and went on to study Traditional Chinese Medicine practices including acupuncture, with which I am still a practicing therapist. Having written this story some years previously I was given approval by an indigenous friend to publish the story while living on Bribie Island, where I did most of my research.
After rewriting the story, I first published a junior version in 2017, but revised and rewrote the book, releasing it as junior to adult fiction book in 2018. I have also written a sequel, that was released concurrently, and the third book in the Dreamtime mysteries trilogy, Return to Eternity is almost completed.
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