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Quantum Consequence Virtual Book Tour

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Physic, Lust and Greed Series, Book 5

 

Sci-Fi

Date Published: 05-16-2024

Publisher: Acorn Publishing

 

 

After foiling the political ambitions of a would-be American dictator,
time-traveling lovers Marta Hamilton and Marshall Grissom return to their
life in the Caribbean only to confront the murder of a friend and inherit
responsibility for a gutsy 10-year old boy. Throughout their unlikely and
tumultuous relationship, Marta has harbored suspicions that her
time-traveling companion is not being honest with her. Is Marshall really
the bumbling, good-hearted klutz she has come to love and trust? Or is he
the cunning, cold-blooded assassin Gillis Kerg suspects him to be? In this
fifth tale of physics, lust and greed, a bizarre parallel universe and a
monstrous product of artificial intelligence will impose a costly
consequence requiring both Marta and Marshall to face the truth of her most
haunting question:  “Who are you, Marshall Grissom?”

 

Quantum Consequence tablet

EXCERPT

Everyone familiar with Marshall Grissom and Marta Hamilton knew Marta was the scary one.

Marshall towered six foot seven and was as wispy as a soda straw. Clumsy, self-effacing and kind. In contrast, Marta stood barely five feet, sinewy, built like a marathoner. Although her romantic liaison with Marshall had softened some of her bristles, she could be as mean as a mamba snake and unforgiving as a loan shark.

Once she’d allowed someone to pick their way through her tangled emotional defenses, though, her loyalty was fierce. Which was why she was quick to respond when she heard a man yelling from the dock beside Cecil’s boat, Somewhere Over China.

“Come on, old man! Come out here!”

Marta scrambled to the deck of Dontchaknow—a thirty-two-foot Bavaria tied bow to stern with Cecil’s ketch-rigged Tayana in Grenada’s Prickly Bay Marina. On the dock a hulking man, his belly peeking out from under a T-shirt that strained to contain beefy biceps, swayed a little, like a long-distance sailor who hadn’t quite found his land legs.

“Come out, you, and bring Baptiste! His mama want him home right now,” Cecil’s would-be assailant bellowed in a Caribbean-Creole accent.

Cecil emerged onto his boat’s deck, brandishing a speargun.

“Stop right there, Ignace Aguillard,” Cecil said. “Baptiste doesn’t have to go anywhere with you. You hit this boy. Go away, or we’ll call the constable.”

“I’m da only father he got,” Aguillard answered. “Boy sass me, need to get hit. Boys gotta learn respect. Put down that toothpick you holdin’, you, or I come up there and stick it up your ass.”

Marshall clambered up on deck after Marta. “What’s going—

The question died on his lips as Baptiste peeked from behind Cecil, revealing a black and purple shiner that closed his left eye.

“Marshall,” Marta said, “go below and get the flare gun.”

Instead, Marshall vaulted over Dontchaknow’s lifelines, landing with surprising agility onto the narrow dock.

“Marshall, no!” Marta called.

Aguillard turned to confront this new threat.

“Now you in trouble, you!” Baptiste shouted with all the venom a ten-year-old could muster. “Dis da one I tell you about. He a famous killer, not afraid a’ da likes a’ you.”

Aguillard glanced at Cecil, still pointing his speargun, then back to Marshall. He laughed. “You who dis boy been yappin’ about? I break you like a stick.”

Marshall looked around, blinking, as if surprised to find himself in the middle of this confrontation but quickly collected himself. “You hurt Baptiste? He’s just a little boy.”

“Believe me,” Aguillard said, “gonna hurt you a lot worse.”

Aguillard took a step forward.

Bugger, thought Marta. Her only weapon, a flare gun, was below deck. She saw Cecil lean forward, the speargun steady in his hands.

“What are you doing, Marshall?” she said. “You can’t—‍”

Aguillard charged with Marshall dead in his sights.

“Run, Marshall!” she yelled.

Marshall appeared frozen, paralyzed with fear.

“Oh no!” Cecil called, tracking Aguillard with his speargun, finger on the trigger.

Marshall flinched but stood his ground as Aguillard gathered momentum.

Marta wondered if Marshall wanted flowers at his funeral.

At the last instant before impact, though, Marshall stood tall—almost on tiptoe—and executed an elegant spin, like a matador’s pase natural, allowing Aguillard to brush past him, only a whisper of space between them. As he passed, Marshall gave Aguillard a backhanded nudge with just enough pressure to alter the big man’s trajectory.

Aguillard careened off the dock into fifteen feet of warm, green water, then came up sputtering and cursing. Marta appeared at Marshall’s side, carrying an aluminum dinghy oar. Aguillard swallowed a mouthful of seawater and gagged. Marta swung the oar with all her might, striking him on the head.

Baptiste had leapt onto the dock and stood beside Marshall and Marta as they watched Aguillard sink. Bubbles drifted to the surface, their wet little pops waning in frequency.

Eventually, Baptiste said, “Somebody don’t do somethin’, he gonna drown.”

“Yeah, well . . .” Marta said.

Cecil joined them. They regarded her with imploring eyes.

“Oh, all right,” she said. “Marshall, go to the beach.”

Marta dove in, grabbed Aguillard by his hair and kicked toward shore.

Marshall helped haul him onto the gleaming sand where Aguillard lay unmoving, turning a curious shade of blue.

“Um . . . shouldn’t we, you know . . . do mouth-to-mouth or something?” Marshall asked.

“Not my mouth,” said Marta. “And not yours either, if you want it to have anything to do with mine.”

“We can’t just let him—

“Oh, I suppose not,” Marta said.

She jumped into the air, then using her whole weight, slammed her elbow onto Aguillard’s chest, which made a cracking sound. Water spewed from his mouth as he gagged and gasped.

“Roll him onto his side,” Marta said.

“Okay, now what?” Marshall asked.

“If he doesn’t get up and walk away in an hour, we’ll call someone to haul him off.”

“I think,” Marshall said, “the tide’s coming in.”

“Then I guess he’d better hurry.”

About the Author

Mike Murphey

Mike Murphey is a native of eastern New Mexico and spent almost thirty
years as an award-winning newspaper journalist in the Southwest and Pacific
Northwest. His debut novel, Section Roads, has been recognized by Indie
Reader Discovery Awards, Reader Views Reviewers Choice Awards, The IAN Book
of the Year Awards, the Somerset Contemporary Fiction Awards, and the
Independent Publishers Book Awards. His novel, The Conman has been
recognized by the International Book Awards, the eLit Awards and the
Manhattan Book Awards. His award-winning Physics, Lust and Greed Series
includes Taking Time,  Wasting Time, Killing Time and  The Outlaw
Gillis Kerg. “We Never Knew Just What It Was… The Story of the
Chad Mitchell Trio” is his first non-fiction work. Mike loves fiction,
cats, baseball and sailing. He splits his time between Spokane, Washington,
and Phoenix, Arizona.

 

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ALLA Virtual Book Tour

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Iconic New Look of DIOR

 

Nonfiction

Date Published: March 18, 2024

Publisher:
MindStir Media

 

 

Today, it is difficult to imagine a fashion show of a high-end brand
without the presence of Asian and Black models. However, until the mid-20th
century, it was considered a taboo. Who were the pioneers to break this
barrier and tread this new and difficult path?

For the very first time in the history of high fashion, a model with a
non-European appearance graced the runways – Alla Ilchun. Discovered by Dior
himself, she was described by him as “one of the born mannequins”.
In the United States, she held the esteemed title of Ambassador for the
House of Dior.

Since 1947, the creative concept behind Dior’s New Look was often perceived
as a new trend in fashion. This book presents a much broader context of the
New Look concept that includes a human component: a new type of model. A
woman for whom this fashion design was created. Alla was an Asian beauty
whose body perfectly corresponded to the aesthetic of the New Look. Her
impassive, distant, and notably aristocratic expression captivated the
couturier’s attention.

However, the story of her appearance at Dior has remained a mystery until
recently. Her name was doomed to be forgotten. This amazing story of the
Muse of Dior as a bearer of multiculturalism is explored in our books
“L’Énigme d’Alla. Muse de Dior” (2021) in French and
“A Pearl of the Orient at Dior” (2022) in Chinese. The value of
these books along with their English counterparts lies in the fact that we
rely on official documents, unique photographs, and diverse sources of
information about Alla’s saga. The story of Alla Ilchun, as an Icon of the
New Look and Muse of the great couturier, is a story of wisdom and foresight
of the legendary architect of fashion and elegance, Christian Dior.

 

 ALLA tablet

About the Author

Dr Berlin Irishev

A multi-faceted individual, Dr Berlin Irishev is a researcher, diplomat,
founder of the global project aimed at reviving the name of the legendary
Muse of Dior – Alla Ilchun. This biography is part of a series of books
dedicated to chronicle Alla’s fascinating story. The book
“L’Enigme d’Alla. Muse de Dior” in French (2021) and “A
Pearl of the Orient at Dior” in Chinese (2022) unravel the
extraordinary destiny of the Muse of Dior.

In addition to telling the story of Alla’s life, this book focuses on
the study of Alla as an icon of the New Look. Dior’s groundbreaking decision
to invite a model of non-European appearance to the High Fashion runway for
the first time marked a true revolution in the fashion industry.
Additionally, Dr Irishev serves as the general producer of the documentary
“Alla – the Oriental Pearl of Dior”.

 

“Alla is one of the born mannequins”

 “My models are the life of my dresses. And I want my dresses to
be happy.”

–         Christian DIOR

 

“Over the years I have learned that what is important in a dress is
the woman who is wearing it.”

 -Yves Saint LAURENT

 

“Alla was an Asian
beauty whose silhouette perfectly corresponded to the aesthetic of the New
Look.” 

-Catherine ORMEN (DIOR Forever)

 

 “In every swarm of bees, Alla is the Queen”

-Frédérique MITTERAND

 

 “The star of all stars, unsurpassed”

-Denis SARRAULT

 

“Happy end guaranteed”

-Victoire  DOUTRELEAU

 

1947:   ALLA – THE FIRST ASIAN MODEL IN HAUT COUTURE

 

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My Illusion of Normal Virtual Book Tour

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The Peculiar Case of Jean Stevens

Inspirational, Spiritual, True Crime

Date Published: March 21, 2024

Publisher: Mindstir Media

 

 

As a retired death investigator, I have discovered throughout my career
that what I once interpreted as normalcy was grossly misunderstood. I have
learned that lifestyles greatly vary from individual to individual,
situation to situation, and ideology to ideology. A “normal
situation” and “normal behavior” are relative to any given
individual in any given environment. The inevitability of death is highly
overwhelming. There are some who fear death. But, little do they know, fear
has nothing to do with death, for it is death that fears nothing. At the
core of the fear of death is the fear of destruction, which refers to the
extinction of mind, spirit, soul, and the destruction of the body- that is
nonexistent.

This book is the true story and behind-the-scene look into the case of Jean
Stevens. A case that would change my life, both professionally and
personally, forever. Together, Jean and I learned from each other. This case
is particularly of interest since it caters to the topic of death and life
and how loneliness brings havoc in our normally functioning life. Since
death separates one being from the other, the feeling of never meeting the
one that is gone is excruciating. This permanent separation can drive people
to do things they wouldn’t usually consider doing. How far would you go to
remain with the ones you love? You will learn how far an elderly woman went
to remain with hers.

 

My Illusion of Normal tablet

EXCERPT

INTRODUCTION

My name is Tom Carman. I am a retired medicolegal death investigator. I am now a born-again Christian who dedicates my life to serving our Lord. This book is the result of over 20 years of experience in the field of medicolegal death investigation. Being directly involved with over 2,000 death investigations, I have had the opportunity to work with many agencies, including county, state, and federal. I have also had the opportunity to meet many families, see the lifestyle, and hear the ideology of hundreds.

I have been deemed an expert in the field of death investigation by the Court of Common Pleas, but else wise, I am a simple man with a love for Christ and a desire to bring others to the Lord by offering hope and lived experience. 

It would be within a short period of time that I would come to the realization that people are as unique as many of the cases themselves. This uniqueness often brings light to a very dark scenario. This light brings about explanation, family reunion, and at most times, understanding. Most times meaning that things are not always completely understood. In fact, both families and investigators are occasionally left with an absence of reason and understanding. It is not death we mourn, but the reasoning behind it.

In those respective cases where there is discovery of understanding and etiology, I’m reminded of Matthew 4:16, “The people living in darkness have seen a great light; on those living in the land of the shadow of death a light has dawned.” 

From scripture, Isaiah speaks in a prophetic style. A simple synopsis in a place of the overspreading of spiritual darkness both knowledge and holiness came about them from understanding the principles of Christ. Likewise, with death (darkness), understanding can come about when we possess an open mind and systematically approach each investigation. On the other hand, the inevitability of death is highly overwhelming. Some people in their old age fear death. But, little do they know, fear has nothing to do with death, for it is death that fears nothing. People fear the process of death rather than death itself. As a result, there’s a potential for them to experience the terror of death consciously. At the core of the fear of death is the fear of destruction, which refers to the extinction of mind, spirit, and soul and the destruction of the body- that is nonexistent.

I have discovered throughout my career that what I once interpreted as normalcy was grossly misunderstood. I have learned that lifestyles greatly vary from individual to individual, situation to situation, and ideology to ideology. A “normal situation” and “normal behavior” are relative to any given individual in any given environment. With an open, non-judgmental mind, and a desire to seek facts, the truth will prevail regardless of societal or cultural norms and/or personal beliefs. 

The compilation of case notes described within this book will illustrate human action, emotion, and ideology of what these decedents considered to be normal. Perhaps most arguably, normal is no more than fallacy. In no way are any of these cases mentioned intended to be judgmental, disrespectful, or a form of embarrassment to the decedent, family members, friends, or associates. As you read these stories, it is crucial to remember Romans 3:23, “For all have sinned and fall short of the glory of God.” 

For the exception of Jean Stevens and related investigative information pertaining to this case, all other cases mentioned within this book have been changed for the protection of both the dead and the living. These changes include names, locations and dates. The names and locations used in these cases are purely fictitious and in no uncertain terms represent the factual identity of the person, actual date, or town in which these incidents occurred. 

This book does however contain a factual, behind-the-scene look into the case of Jean Stevens. A case that would change my life, both professionally and personally, forever. Together, Jean and I learned from each other. It is with expressed consent and expectation by Jean that her story be told. This case is particularly of interest since it caters to the topic of death and life and how loneliness brings havoc in our normally functioning life. Social isolation can drive people to do things they wouldn’t usually consider doing. Humans are conflicted about their mortality and that of their kin and friends. Regardless of how a person has lived, they’re bound to fall on their knees when they experience abandonment and social seclusion. The denial of death is an essential factor in knowing how and why relationships with other social beings are fundamentally exploitative and harmful. Since death separates one being from the other, the feeling of never meeting the one that is gone is excruciating. Separation drives a person crazy and instills a pursuit of meeting the ones that are gone. Norman Cousins says, “Death is not the greatest loss in life. The greatest loss is what dies inside us while we live.” Since humans live their lives socializing and networking, the loss of special moments upon someone’s death makes them feel aloof and heartbroken. Reminiscence of priceless memories shared with the deceased leaves an unfillable void in one’s heart. 

Monophobia, which refers to the fear of being lonely at some point in time in the future also triggers feelings of loneliness and goes to the extent of mania. Such feelings are commonly seen within old age groups since they consider that being old jeopardizes their identity and personality. They are of the view that age-related illnesses, loss of network of friends, difficulty communicating, and death of a spouse or a loved one may make them weak, stubborn, and worse – alone. Their intuition tells them that they are no longer helpful to society and thus feel trapped in destructive thoughts involving death and isolation.

I have

learned that lifestyles greatly vary from individual to individual,

situation to situation, and ideology to ideology.

About the Author

Tom Carman is an American author who currently resides in Pennsylvania. As
a retired Medicolegal Death Investigator, he has investigated over 2,000
deaths. Additionally, he has served as a consultant on several other cases.
Tom has had the opportunity to get first-hand behind the scene knowledge of
both scenes and people. Tom believes in love, grace, forgiveness, and hope.
As a non-judgmental, now walking in Spirit man, he shares his personal
journey with many. For many years Tom lived in flesh and is very familiar
with sin, hardship, and knows the difficulties of starting over and
accepting death. Having been formerly incarcerated, Tom now dedicates his
life to serving the underdogs of the world by delivering hope. He believes
wholeheartedly that anyone can receive this hope and begin a new journey
leaving their past behind.

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Writers of the Future Volume 40 Virtual Book Tour

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Writers of the Future Volume 40 cover

Science Fiction, Fantasy, and Horror Short Stories

Date Published:  May 7, 2024

 

 

Spine-tingling

Breathtaking

Mind-blowing

Experience these powerful new voices—vivid, visceral, and
visionary—as they explore uncharted worlds and reveal unlimited
possibilities.

Open the Writers of the Future and be carried away by stories—and
illustrations—that will make you think, make you laugh, and make you
see the world in ways you never imagined.

Twelve captivating tales from the best new writers of the year as selected
by Writers of the Future Contest judges accompanied by three more from L.
Ron Hubbard, Nancy Kress, S.M. Stirling. Each is accompanied by a full-color
illustration.

Plus Bonus Art and Writing Tips  from Gregory Benford, Bob Eggleton,
L. Ron Hubbard, Dean Wesley Smith

“When her owner goes missing, a digital housecat must become more
than simulation to find her dearest companion through the virtual
world.—“The Edge of Where My Light Is Cast” by Sky
McKinnon, art by Carina Zhang

No one came to his brother’s funeral. Not even the spirits.
Étienne knew it was his fault.—“Son, Spirit, Snake”
by Jack Nash, art by Pedro N.

Man overboard is a nightmare scenario for any sailor, but Lieutenant Susan
Guidry is also running out of air—and the nearest help is light years
away.—“Nonzero” by Tom Vandermolen, art by Jennifer
Mellen

Mac wanted to invent a cocktail to burn itself upon the pages of
history—but this one had some unexpected side
effects.—“The Last Drop” by L. Ron Hubbard and L. Sprague
de Camp, art by Chris Arias

Dementia has landed Dan Kennedy in Graydon Manor, and what’s left of
his life ahead seems dismal, but a pair of impossible visitors bring
unexpected hope.—“The Imagalisk” by Galen Westlake, art by
Arthur Haywood

When a teenage swamp witch fears her mama will be killed, she utilizes her
wits and the magic of the bayou—no matter the cost to her own
soul.—“Life and Death and Love in the Bayou” by Stephannie
Tallent, art by Ashley Cassaday

Our exodus family awoke on the new world—a paradise inexplicably
teeming with Earth life, the Promise fulfilled. But 154 of us are
missing.…—“Five Days Until Sunset” by Lance
Robinson, art by Steve Bentley

Spirits were supposed to lurk beneath the Lake of Death, hungry and patient
and hostile to all life.—“Shaman Dreams” by S.M. Stirling,
art by Dan dos Santos

A new app lets users see through the eyes of any human in history, but
it’s not long before the secrets of the past catch up with the
present.—“The Wall Isn’t a Circle” by Rosalyn
Robilliard, art by Guelly Rivera

In the shadows of Teddy Roosevelt’s wendigo hunt, a Native American
boy resolves to turn the tables on his captors, setting his sights on the
ultimate prey—America’s Great
Chief.—“Da-ko-ta” by Amir Agoora, art by Connor
Chamberlain

When squids from outer space take over, a punk-rock P.I. must crawl out of
her own miserable existence to find her client’s daughter—and
maybe a way out.—“Squiddy” by John Eric Schleicher, art by
Tyler Vail

Another outbreak? This time it’s a virus with an eighty percent
infection rate that affects personality changes …
permanently.—“Halo” by Nancy Kress, art by Lucas
Durham

Planet K2-18b is almost dead, humanity is enslaved, and it’s
Rickard’s fault. Now in his twilight years, he’d give an arm and
a leg for redemption. Literally.—“Ashes to Ashes, Blood to
Carbonfiber” by James Davies, art by May Zheng

What if magic could undo the unthinkable, and undo Death itself? Would you
use it no matter the cost? What would you sacrifice for
love?—“Summer of Thirty Years” by Lisa Silverthorne, art
by Gigi Hooper

Joe is a prospector tasked with exploring the cosmos on behalf of an
all-powerful government. Breadna is a toaster. There have been weirder love
stories, but that’s unlikely.—“Butter Side Down” by
Kal M, art by Selena Meraki

 

Writers of the Future Volume 40 tablet

EXCERPT

Introduction

 

Once again, I am proud to present to you twelve brand-new stories that will delight you, expose you to new ideas, drag you through harrowing trials, make you think, cry, and laugh. The variety of stories, from time travel to dystopia to the memory of a child’s imagination, is like a library between two covers. You have a treat waiting for you. 

Every year that I have been involved in the Writers of the Future Contest, I have been impressed by the talent of up-and-coming writers. They have a vision, they explore it through the eyes of well drawn characters in a world made vivid by their words, and they bring the plot to a conclusion that satisfies the reader’s desire for adventure. It’s hard to choose the finalists because there are always more than the eight per quarter that I am allowed to select from the myriad we receive, and just as hard to pick the three winners from that group. These are the best of the best. 

Another important facet is their perseverance. In some cases, the success of these twelve writers is the result of years of submitting to the Contest. When one story didn’t make the cut, they tried a fresh idea. In this year, each of them succeeded. I enjoyed each of these stories, and I am proud to have been a part of bringing the world’s attention to these new writers. 

I know there are many hopeful writers who want to join the ranks of Contest winners, and I encourage you to keep trying. One thing that I have noticed over the last couple of years is that some writers keep sending me the same stories over and over again. Once in a very great while, a story will move up in rank, achieving notice as an honorable mention, to silver honorable mention, to semifinalist, or even finalist. If a story that you send me has received the same ranking for three or more quarters, it is unlikely ever to be considered for a higher prize. I beseech you to put that story aside, sell it elsewhere, and send me something else. The Writers of the Future Contest wants to help you achieve a writing career, and a career is not made on a single story. It’s like trying keys in a lock. If one key doesn’t work, try others until one of them opens the door. 

What am I looking for? I want a story with a beginning, middle, and end. I want your protagonist to grow in some fashion, whether or not s/he succeeds at the goal. Speculative fiction is about extrapolating on things that already exist. Show me new ideas. Don’t retread ground that has been trampled by thousands of others. Let me hear your voice. Tickle my imagination. Introduce me to new people, new cultures. I want excellent storytelling with great characters and imaginative world-building. You can enter once a quarter, with no entrance fee, with a story that can range in length from flash fiction (yes! we accept flash fiction) up to seventeen thousand words, in any subgenre of science fiction or fantasy, even light horror. Please read the guidelines carefully, and send me your stories! 

The rewards for becoming a winner of the Contest are worthwhile. The twelve writer winners are flown into Hollywood, California, from wherever they are in the world, for a grand black-tie, red-carpet gala, given beautiful trophies and checks for winning. Winners from each quarter receive US$500 for third place, US$750 for second place, and US$1,000 for first. Each of their stories has also been handed off to the winners of the Illustrators of the Future Contest to create a unique and original piece of art to accompany it in the anthology. Thousands of longtime professional writers have never had a published story of theirs illustrated in full color, so this is a great honor and a pleasure. The anthologies themselves often become national bestsellers, a terrific thing to have on your bibliography. 

The next year’s Contest is already under way. Join us, and let us see your vision.

 

 

L. Ron Hubbard, Nancy Kress, S. M. Stirling, Gregory Benford, Bob Eggleton,
Dean Amir Agoora, James Davies, Kal M, Sky McKinnon, Jack Nash, Rosalyn
Robilliard, Lance Robinson, John Eric Schleicher, Lisa Silverthorne,
Stephannie Tallent, Tom Vandermolen, and Galen Westlake.

Illustrators: Dan dos Santos, Ashley Cassaday, Gigi Hooper, Jennifer
Mellen, Pedro Nascimento, Steve Bentley, Connor Chamberlain, Selena Meraki,
Guelly Rivera, Tyler Vail, Carina Zhang, May Zheng, Lucas Durham, and Chris
Arias.

 

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